Bussines Law Essay Example | Topics and Well Written Essays - 750 words - 1

Bussines Law - Essay Example One of these categories is the business law. Business law involves all the laws that govern the relationship between any business entity and all the parties involved in the entity’s practices. Business law provides guidelines on how a business body conducts its practices with all the stakeholders like the employees, the customers, the society and the shareholders. Therefore, the rules contained in business law provide an avenue for resolving any dispute pertaining business practices (Cabrelli 22). Some of the fundamental elements in business law are the employment law and the contract law. Contract law governs the relationship between a business firm and any party that may enter into a contract with it, while employment law relates the business firm with its work force. Employment law falls under both the state statutes and the federal laws. Its scope extents to employees claim involving termination of employment contracts, discrimination, and employee’s compensation. This type of business mainly deals with the employees’ and the employers’ relationship with each other, their actions, and their responsibilities in the work place. When incorporated into employment law, contract law governs the agreement between the employer and the employee (Cabrelli 67). In this context, all the elements of contract law applies in establishing the terms and conditions of employment. In the subject case concerning Jill’s employment, the major types of laws that will be applied is both the employment law and the contract law. Employment law will represent the entire relationship between Jill and the Momma Mia Company, while contract law governs the agreement between Jill and the company. Therefore, Jill will pursue the elements of employment and contract law during the judicial process. On the first element involving the violation of contract, the plaintiff must argue that the agreement was made after consideration

Concert Orchestra experience Essay Example for Free

Concert Orchestra experience Essay The first piece was Variations on a Theme of Tchaikovsky, Op. 35a (1894) by Anton Arensky (1861-1906). The piece was written in 1894, in tribute to Pyotr Il’yich Tchaikovsky (1840-1893). It was based on the theme from the poem Legend†, written by Richard Henry Stoddard (1825-1903). This poem portrays the crucifixion of Christ. Arensky admired Tchaikovsky so much that he used the theme of â€Å"Legend† for a set of variations in the second movement of his Second String Quartet. This piece’s style is a themes and variations. Its instrumentation includes Cello solo, 2 Flutes, 2 Oboes, 2 Clarinets (A), 2 Bassoons + 2 Horns (F) + Violins I, Violins II, Violas, Cellos, and Double Basses. The second piece was Concerto for Marimba and Orchestra, Op. 34 (1957) by Robert Kurka (1921-1957). This piece introduced the marimba, which proved to the musical world that it could contend with instruments that had been used in orchestras and also provide a unique sound to the traditional orchestras played in regular concerts. This piece’s style is solo concerto. Its instrumentation includes the marimba and the orchestra. The third piece was Pictures at an Exhibition (1874) by Modest Mussorgsky (1839-1881). This piece was inspired by the paintings of the artist Viktor Hartmann (1834-1873). This piece’s style is an orchestral suite. Its instrumentation includes 3 Flutes (2nd and 3rd doubling Piccolos), 3 Oboes (3rd doubling Cor Anglais), 2 Clarinets in A and Bb, Bass Clarinet in A and Bb, Alto Saxophone, 2 Bassoons, Double Bassoon, 4 Horns in F, 3 Trumpet in C, 3 Trombones, Tuba, Timpani, Percussion (xylophone, triangle, rattle, whip, side drum, bass drum, cymbals, suspended cymbal), 2 Harps, Celesta, and Strings. I picked the pieces was Variations on a Theme of Tchaikovsky, Op. 35a (1894) by Anton Arensky and Concerto for Marimba and Orchestra, Op. 34 (1957) by Robert Kurka. Both of these pieces were distinctly different than one another. The piece by Arensky depicts a sense of deep sadness and despair as a whole. It starts out containing elements of intimacy and moves towards a slow moving harmony. The structure of the music matched the structure of the original poem. The variations of sounds expressed many shifting moods such as a dialogue between instruments. Mood changed quickly throughout the piece and showed different parts of the melody, from increments of joy, to sadness, to a deep sorrow. The rhythm seamlessly continued throughout the piece acting towards each of the different themes described in its construction. The piece by Kurka produced a new and different type of classical music that is unique to the orchestra. The use of the marimba stood out from the traditional orchestral instruments. The first movement begins with an alternation between the marimba and the orchestra. Its upbeat sound resonates in a catchy chiming sound whose rhythm is clear yet unexpected. It provides a playful side to a usually stern and focused orchestra. As the second movement begins, it as if the marimba is communicating to the orchestra itself. As if it is trying to fit in with these classic types of instruments through its unique dynamics and resounding tone. It seems to clash with its orchestral counterparts. By the third movement, it seems as if all the instruments reach an agreement on the legitimacy of the marimba through its colorful and exciting solo. Although both pieces are completely different than one another, they both exhibit emotion. Arensky exhibits cruel sounding music that discusses the importance of religion and a series of events that affects a wide variety of people. It evokes a sense of despair that expresses a deep sounding melody. Kurka exhibits a different type of music that discusses the marimba’s rise to becoming a part of classical orchestra. Its colorful timbre expresses a joyful and unique melody that pleases the human ear. Anton Arensky (12 July 1861 -25 February 1906), was a Russian composer of Romantic classical music, a pianist and a professor of music. Pyotr Tchaikovsky was the greatest influence on Arenskys musical compositions. Indeed, Rimsky-Korsakov said, In his youth Arensky did not escape some influence from me; later the influence came from Tchaikovsky. He will quickly be forgotten. The perception that he lacked a distinctive personal style contributed to long-term neglect of his music, though in recent years a large number of his compositions have been recorded. Therefore, his values are seemingly non-existent because of the major influence of Tchaikovsky and absence of his own personal work. Throughout the performance I did perceive a strong sense of historical value and defines not who Arensky was, but his role model Tchaikovsky and how his music conveyed a strong sense of religious value. Kurka’s Concerto for Marimba and Orchestra was the first marimba work to enjoy both widespread public appeal and widespread recognition of having a high level of musical sophistication fit for the concert hall. It debuted during the modern style period. It provided important historical value by Kurka finally representing everything that early marimba composers set out to do in one piece: create a sophisticated and serious musical work that is both challenging to the performer and which has widespread public appeal. I perceived an ongoing struggle throughout the piece, but as the performance continued it conveyed the struggle the instrument had to do in order to become a prominent part of the classical orchestra. Citatation Keunning, G. (1999). Symphony of the canyons. Retrieved from http://lasr. cs. ucla. edu/geoff/prognotes/mussorgsky/pictures. html Strain, James. Vida Chenoweth. Percussive Notes 32. 6 (1994): 8-9. Print. Stevens, Leigh Howard. An Interview with Vida Chenoweth. Percussive Notes 15. 3 (2002): 22-25. PAS Online Archive . Weir, Martin. Catching up with Vida Chenoweth. Percussive Notes 32. 3 (1994): 53-55. Print.

Loyalties in Kurt Vonnegut’s Mother Night Essay -- Mother Night

Kurt Vonnegut’s Mother Night is a novel that deals with the loyalties that humans form to each other, as well as things and places. However, Vonnegut does not address this issue by creating a cast of characters who are loyal and true to a particular person, place or thing; instead, he places the reader in a world that is seemingly void of all sense of loyalty and trustworthiness. Almost every character in this novel is apparently devoid of all ability to trust, and more significantly, be trusted. In his creation of this dark and uncertain world, Vonnegut is effectively emphasizing the importance of allegiances in one’s life. Through characters like Howard W. Campbell, Jr. and Resi Noth, among others, he proves that a life without loyalty and devotion is not a life worth living. Each character is lacking the same core qualities and abilities, yet each shows this deficiency in a different way - by betraying a country, another person, or themselves. Because of their betrayals, each of them ends up miserable, in prison, or dead, with the possible exception of Frank Wirtanen. Every life in this novel is somehow affected by the deceit and inability to sustain any kind of commitment that these characters so tragically display. Howard W. Campbell, Jr., the main character of the novel, experiences the most severe and damaging lack of loyalty and coherency in his life. Howard’s problems begin when he agrees to become an American spy posing as a Minister of Propaganda for the Nazis during World War II. No one knows of his true identity except for himself and three other men; therefore, everyone believes Howard to be a Nazi. At times, it seems as though Howard himself is not entirely sure whether or not he is a Naz... ...: American Fiction Series, Revised Edition. Salem Press, 2000. Magill On Literature. 29 Nov. 2002. Hume, Kathryn. â€Å"Vonnegut’s Melancholy.† Philological Quarterly. 77.2 (1998): 221- 238. Klinkowitz, Jerome. Kurt Vonnegut. London and New York: Metheun, 1982. Reed, Peter J. â€Å"Kurt Vonnegut Jr.† Dictionary of Literary Biography, Volume 152: American Novelists Since World War II, Fourth Series. Bruccoli Clark Layman, 1995. 248-272. Dictionary of Literary Biography. Gale Group Databases. 27 Nov. 2002. Somer, John, and Jerome Klinkowitz, eds. The Vonnegut Statement. USA: Delacorte Press/Seymour Lawrence, 1973. Vonnegut, Kurt. Mother Night. New York: Random House, 1966. Westbrook, Perry D. "Kurt Vonnegut Jr.: Overview.† Contemporary Novelists, 6th ed. St. James Press, 1996. Literature Resource Center. Gale Group Databases. 26 Nov. 2002. Loyalties in Kurt Vonnegut’s Mother Night Essay -- Mother Night Kurt Vonnegut’s Mother Night is a novel that deals with the loyalties that humans form to each other, as well as things and places. However, Vonnegut does not address this issue by creating a cast of characters who are loyal and true to a particular person, place or thing; instead, he places the reader in a world that is seemingly void of all sense of loyalty and trustworthiness. Almost every character in this novel is apparently devoid of all ability to trust, and more significantly, be trusted. In his creation of this dark and uncertain world, Vonnegut is effectively emphasizing the importance of allegiances in one’s life. Through characters like Howard W. Campbell, Jr. and Resi Noth, among others, he proves that a life without loyalty and devotion is not a life worth living. Each character is lacking the same core qualities and abilities, yet each shows this deficiency in a different way - by betraying a country, another person, or themselves. Because of their betrayals, each of them ends up miserable, in prison, or dead, with the possible exception of Frank Wirtanen. Every life in this novel is somehow affected by the deceit and inability to sustain any kind of commitment that these characters so tragically display. Howard W. Campbell, Jr., the main character of the novel, experiences the most severe and damaging lack of loyalty and coherency in his life. Howard’s problems begin when he agrees to become an American spy posing as a Minister of Propaganda for the Nazis during World War II. No one knows of his true identity except for himself and three other men; therefore, everyone believes Howard to be a Nazi. At times, it seems as though Howard himself is not entirely sure whether or not he is a Naz... ...: American Fiction Series, Revised Edition. Salem Press, 2000. Magill On Literature. 29 Nov. 2002. Hume, Kathryn. â€Å"Vonnegut’s Melancholy.† Philological Quarterly. 77.2 (1998): 221- 238. Klinkowitz, Jerome. Kurt Vonnegut. London and New York: Metheun, 1982. Reed, Peter J. â€Å"Kurt Vonnegut Jr.† Dictionary of Literary Biography, Volume 152: American Novelists Since World War II, Fourth Series. Bruccoli Clark Layman, 1995. 248-272. Dictionary of Literary Biography. Gale Group Databases. 27 Nov. 2002. Somer, John, and Jerome Klinkowitz, eds. The Vonnegut Statement. USA: Delacorte Press/Seymour Lawrence, 1973. Vonnegut, Kurt. Mother Night. New York: Random House, 1966. Westbrook, Perry D. "Kurt Vonnegut Jr.: Overview.† Contemporary Novelists, 6th ed. St. James Press, 1996. Literature Resource Center. Gale Group Databases. 26 Nov. 2002.

Commentary on my creative writing piece focusing on The Dubliners Essay

After completing my story, I thought I would say how the story that I had written related to the story ‘The Dubliners’. The story that I wrote, I related to the theme of paralysis and the risk of death, a vision of the future and also a little about money, which is used in The Dubliners. I chose this viewpoint on the story as I thought it would relate well to the background I was using. Especially the theme of death would work well, as death is a very common situation so it helped when I dramatised the theme. Also I decided to use the times of today, as I thought it would be more easier to relate to ‘The Dubliners’ using a situation in a lower/ middle class background, but using a cultural difference. I also decided to use third person narrative, as I thought it would be clearer in third person. I did try to use first person, but I had a bit of difficulty in putting a point across, so I decided to use third person, as I found it much more flowing to do. I decided to start off with a line, which explained the background so the story would be easier to understand, as I used a different culture. If I had gone straight into a story, the story may have been hard to understand. I included a little introduction to the character and the backgrounds, so the reader would notice what culture I was trying to show and how I was trying to relate it to The Dubliners. I think the introduction to the character and the culture, is a very important thing in my story. This was only in the beginning, but when I used a little climax. I used a twist in the middle of my story, to make sure the reader would be more interested and engaged to read on. The method I used was an everyday experience, which seemed like a big thing. This helped me to use the theme of vision of the future, with the character knowing there would be more trouble. The ending I used both of the themes of death and vision of future. I think death was a very important in the whole story, which showed the theme of paralysis. I used the theme of vision of future, as the character had death on their mind through the whole story, and this helped to use the theme of death. I think I can relate this to The Dubliners, as the theme of paralysis and the theme of death and darkness is used very often. I chose to end the story in this way as it dramatises the themes in which that I used. Also I used description, with a stressful atmosphere used. I think this ending suits the culture in which I wrote the story about. As it is believed that shootings are made in this background a lot. This I thought would be the best way to end my story. I think I thought about my main character quite a lot, especially with the culture to take in account. Also, the use of the characters pride and making the character emotional about death and escape. This helped me to explain how the character was feeling. I think I used the character well in the situation, because the background and culture is like real life. I have read and researched situation like this and deaths are always happening. This is why it was important, that I made sure the character, language and the actions were correct. This in my opinion was the best thing to do was research a little about the background, also things such as drugs, typical backgrounds, and even clothing I researched so I made sure the situation was just like real life and not something in reality. I used the background and the subject matter as it all related to one thing. Especially the setting and atmosphere, which all related to death. I used the subject of stress in my story as well, the whole theme of stress, occurred to me as a good way in which to escape or a good way to look for escape. Stress can usually consist of anger and frustration, which is how it is related to The Dubliners. These emotions are shown within my story and also The Dubliners. The language I used in my story was descriptive and also gave good and relevant information, when was needed. As I used a different content of language, I had to explain what some words meant. Also I think my story would sound effective if it was to be read out loud, as the situation is real and can happen in life. Maybe in some cases people can relate to this kind of story, as it can also send a message across about gangs, firearms, drugs, and also maybe drinking. After writing this story I think that this has many themes which could be related to the story, The Dubliners. As you can see I have included themes such as death, escape, darkness and also vision for the future. I think these themes helped me to relate the story with the best use, as cultural I was not sure on which to write a story about, that is why I used a different culture, in which I found more interesting to write about.

Explorations of Astrology

One of astrology's first graces on human minds was with the Babylonians and Ancient Egyptians, and then spread throughout the Arab world. Since, there has been explorations of astrology through manuscripts and celestial objects made by Arab craftsmen. Many islamic ornamental motifs and architecture references astrological findings. The Islamic calendar says that the day begins at sunset and the five prayers start from that time. Adjusting times for prayer grew out of observing the heavens, a practice known since the ancient Egyptians and Babylonians. The Arabs, for centuries, studied the sky and examined the groups of stars and phases of the moon on their long desert travels. This education of space was adapted and developed to conform to the practice of Islam. During the medieval period of the Islamic world, the science of astrology as a branch from astronomy was translated by the Greeks into Arabic, along with Sasanian, Indian and ancient Egyptian influences, allowing more scientific and mathematical development by mathematicians and scientists of the Arab world. The subject came to be a very popular one, as it was taken interest in by scholars such as Abu Ma'shar al-Balkhi, al-Biruni, and Nasir al-Din al-Tusi. There is evidence of this topic being widespread throughout the Islamic world, such as manuscripts and astrological records found in al-Fustat in Egypt. Since there has proven to be much scientific evidence and involvement in the study of the stars and planets, how did this outbreak of information in the Islamic world affect Islamic Art? And why was it so significant?There is much architecture, objects and textiles from the Islamic World that express the significance of this topic, such as Qusayr ‘Amra (figure 1) in Jordan, built by Umayyad caliph Walid II in the early 8th century, which features a frescoed caldarium ceiling depicting the twelve Zodiac constellations. The exterior of the construction is very minimal; the only ornamentation being small domes and triple arches. Otherwise, the ornamentation becomes servant to the architecture. The techniques that were contributed into constructing Qusayr ‘Amra references the Roman and Byzantine techniques: predominately limestone and terracotta brick, along with other types of stones. The frescoed ceilings in the caldarium, or the hot plunge bath, is said to be the earliest depiction of the stars painted on a domed surface. It features 35 recognizable constellations along with, as mentioned previously, twelve zodiacs. There has been reported to be one mistake: the order of the stars in the counterclockwise direction, which tells that it is possible that the fresco was copied from a flat surface. This fresco, however, is not the only one in Qusayr ‘Amra: there were many brilliant murals in several of the other chambers that suggest that the caliphs of this â€Å"pleasure palace† lived a luxurious lifestyle. This luxury tells of an involvement in The use of imagery in relation to astrology began in the twelfth century, and eventually taken in for its visual decorative quality, by the Ghaznavids and the Seljuqs among others, and they adopted it with their own meanings and influences. The gilded and over glazed bowl (figure 2) depicts figures very close to those of the Kashan. There is Kufic inscriptions around the rim of the bowl, and the focal point is the sun-shaped face in the center, with a classical depiction of the six planets surrounding it. There are images of figures sitting on thrones, riding on horseback, and playing instruments composed in a radial composition, following the form of the object. The only two seated figures on thrones sit across from each other on the band, with the other figures surrounding it. This motif combines two different motifs that are common in Islamic art together: the image of figures performing activities or in a scene depicted centrally to the object, as can be seen in the Stain- and overglaze-painted bowl (Ettinghausen, Grabar, Jenkins-Madina, 175), for example, and images of a single figure repeated to create a visual pattern, as demonstrated in the outer rim of Glazed and lustre-painted composite-bodied bowl (Ettinghausen, Grabar, Jenkins-Madina, 174). This royal bowl is very similar to the Stain- and overglaze-painted beaker (Ettinghausen, Grabar, Jenkins-Madina, 176) in the way that it has different tiers showing different figures in action repeated across the band of the beaker. The copper-alloy mirror (figure 3) is another royal artifact that utilizes the zodiacs as symbols of power made for Artuqid ruler Artuq Shah. The heavy-relief bird in the center of the mirror

Warhol and Litchenstein- compa essays

Warhol and Litchenstein- compa essays From a young age, both Warhol and Lichtenstein demonstrated surpassing talent in art. Andy Warhol, real name Andrew Warhola, was born in 1928 in Pittsburg, Pennsylvania, to Czechoslovakian parents. Before he could walk, Warhol was coloring in coloring books. His mother noticed his exceptional skill for staying within the lines and for encouragement, rewarded her son with a candy bar each time he completed a page. During his grade school years Warhol, a chronic sufferer of Saint Vitus Dance, was frequently sick. He would lay in bed for days on end making paper dolls and copying the Maybelline ads of Hedy Lamarr. After highschool Warhol studied commercial art at the Carnegie Institute of Technology in Pittsberg. Warhol graduated in 1949 and went to New York where he worked for the magazines Harpers Bazarr and Vogue as an illustrator. At the same time he was working in commercial advertising and in his free time drew pictures of flowers, cats, angles, ect., to charm potential clients i nto giving him a job. He soon became one of New Yorks most sought after and successful illustrators. Though Warhol was extremely focused on his commercial career, he still found time to pursue his passion for fine art and in 1952 he had his first gallery show in New York City. Litchenstein was born in 1923 in New York City. His father was a relator and his mother a housewife. His parents were very busy people and because both his parents lacked an artistic streak, Lichtenstein grew up under no specific artistic influence. At the age of fourteen he attended a painting class, on weekends, at Parsons School of Desighn. Litchenstein attended Franklin High School in his adolesent years. The school had no art program, but he drew and painted at home and in the summers enrolled in art classes at the Art Students League. After high school Litche ...

Chicboy Marketing Plan Essay Essays

Chicboy Marketing Plan Essay Essays Chicboy Marketing Plan Essay Paper Chicboy Marketing Plan Essay Paper Chic-Boyâ„ ¢ is a new hallmark and concern theoretical account of Pier One Bar and Grill Holdings Corporation. the company behind the successful Pier One Bar and Grill eating house concatenation in the Philippines. It is a quick-service eating house that is a â€Å"cut above† fast nutrient. with a cult-like followers. Our construct focuses on quality. assortment and service. Chic-boy’s pride is its Cebu Lechon Manok and Cebu Lechon Liempo marinated and stuffed with her set spices and wood coal broiled to juicy and tasty flawlessness. * Aims The chief aim of Chic-Boy is to supply people/ their clients with great nutrients at low-cost monetary values. supply convenience by leting household reunions and acquire together. And last but non the least. one of their aims is to spread out the concern by supplying and leting franchise. * THE FRANCHISOR-FRANCHISEE RELATIONSHIP Franchisor shall supply Franchisee with specifications for trade names and types of any equipment. fixtures and furniture required for the Franchised Facility. The Franchisor will supply supplies such as merchandises. equipment and stuffs antecedently designed and provided by the Franchisor to be used in the Franchised Facilities and â€Å"services† that includes. but is non limited to. consistent invention and redevelopment of merchandises and procedures. in-store audit cheques related to the consistent patterns of hygiene. safety. and proper execution of pre-defined pharmaceutics patterns and methods. besides developing and aid plan will be given. * Duties of the Franchisee The duty of the franchisee will concentrate on the go oning services and royalty fees. accounting and records. criterions of quality and public presentation. * PRODUCTS AND SERVICES The company offers a broad assortment of repasts such as Chiquito Meals. Chibog-Busog Meals. Cebu Lechon. Magandand Umaga Meals. Sphagetamis. Nipponese. Appetizers. Merienda. Desserts. Soup. Sizzling Specials and etc. Most repasts are served with house soup and limitless rice. they besides offerbottomless iced tea. They besides give clients fried garlic for free. * MANAGEMENT. STAFFING. STRATEGIC PARTNERS. ANG PROFESSIONAL SUPPORT * Management TeamThe proprietor is considered as the General Manager of one shop. In every shop the highest place that is managing the day-to-day production is their several Supervisors. . * StaffingThe freshly franchised Chic-Boy mercantile establishment will be engaging 11 staffs dwelling of the cooks. crews. tellers and security guard. * Strategic Partner and Professional SupportAs for strategic spouse. the company will be provided with general contractors will be responsible for the shop equipments. care and physical properties and design of the shop. and as for professional support. an comptroller to head the accounting and fiscal side of the company. * Gantt ChartAs for the agenda of activities of the company. Chic-Boy will hold a one twelvemonth readying before it will officially open. The given month will be from September 2012- September 2013. * OPERATIONS * Hours and Days of OperationThe proposed Chic-Boy mercantile establishment will be runing for seven ( 7 ) times a hebdomad. 16 ( 16 ) hours a twenty-four hours. The shop hours will be from 7:00 am up to 10:00 autopsy * Layout and FacilitiesThe shop will be at least 200sqm. It will hold a 2nd floor to suit the figure of clients. The chairs and tabular arraies will be arranged as to let the clients to still walk in between the them even if ther are a batch of clients. * Licensing. Permitting A ; Other Regulatory IssuesGeting the needed concern licence and licenses for Chic-Boy is a necessary measure to guarantee that the concern is staying the bylaws. It needs some sortof concern licence or license to run the concern lawfully. Chic-boy will acquire first clearance and license before heading to the Securities and Exchange in Commission. * Operating ProceduresThe process will be a simple procedure get downing from the entryway of the client followed by the buying of the nutrient. ingestions of the ordered point and so go forthing of the client one time done and satisfied. Then as a new client arrives. the procedure starts once more. * Inventory ManagementThe merchandises of Chic-Boy will be ordered from the commissary in a day-to-day need footing. It will be stored in the kitchen hair-raisers to continue good quality and freshness and to fulfill customers’ criterions. * Selling * Target LocationThe franchise will be located at Dr. C. A. Aguila St. inside Mendiola. Manila. Its approximative square footage is 200 sqm. . it is a good traversed way taking jeepney’s and vehicles coming from recto heading to Pandacan. Sta. Ana. Makati and Pasay. frailty versa. It is besides surrounded by at least six ( 6 ) schools. * Marketing Targets The mark market of Chic-boy will be pupils. employees and famiies. There are no age bound as to who are their mark market. every bit long as they can still eat the repasts offered by the constitution. * Distribution Since the entity proposed is non in the fabrication industry. the distribution described in the program will be the location where the mercantile establishment will be put up therefore functioning the clients within the locality. * Competitive Environment and Positioning The primary rivals of the Chic-Boy will be the fast nutrient ironss such as Jollibee. McDonald’s and KFC that are within the same locality of the proposed franchise. The other nutrient plaes are considered as secondary rivals because since both offer nutrient. the service and type of nutrient served is different. * Marketing Tactics and Support The selling tactics and support that Chic-Boy are already offering are simple circular giving and poster of tarpaulins and postings. And the Chic-Boy wireless they have in their ain shops and mercantile establishments. * CAPITAL Plan* Beginnings of Fundss The P 6. 069. 000 entire investing will be funded by the 5 investors with the distribution as follows: Phosphorus 3. 069. 000 for the pull offing manager and P 750. 000 for the staying 4 investors. * Use of Fundss The entire investing of P 6. 069. 000 will be used in the payment of rent for the land/property. Working Capital. Furniture. Fixtures. Equipments. Construction and Renovation. A fund shall be allotted for the payment of rent. because the belongings is leased ; for the furniture. fixture and equipments. this includes the aircon units. signage. tabular arraies A ; chairs. grillers. scope goon. deep-freezes A ; hair-raisers. home bases. utensils kitchen and eating house supplies ; another allotment for the building A ; redevelopment which includes civil plants. plumbing. electrical. illuming. mechanical. fumes and fresh air ; and last but non the least. financess to be used as commissary sedimentation. franchise fee and working capital.